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Key Features
Product Ref: 99420
The Lewitt DTP 340 TT is a highly versatile dynamic microphone designed for capturing and recording percussive instruments, with attention to detail. The Lewitt DTP 340 TT provides you with a supercardioid capsule designed to provide off-axis rejection, ensuring optimal audio performance for snare and toms. The wide frequency range and premium-grade circuitry ensure you capture every subtle nuance of your snare or tom drum sound, retaining its natural tonality for exceptional audio quality. It reacts well to high sound pressure levels, and the adjustable mounting clip allows you to find the perfect positioning every time.
This versatile dynamic microphone is ideal for a range of applications. Not only being suited to capturing kick drums with immense power, the DTP 340 REX is also great for bass-orientated instruments such as bass guitars. The wide frequency range is designed to capture the sheer power from your source material, providing a thumping low-end response. The cardioid polar patterns is ideal for direct source recording and the high impedance means you can really push your drum to the max. The Lewitt Kick Drum Microphone is ideal for both live performances and studio work, with its sleek design and premium-grade components. It also features a built-in mount that allows you to find the optimal position for the best possible recordings.
The LCT 140 is a compact 2/3-inch back-electret condenser microphone featuring a linear frequency response and a wide dynamic range. This pencil condenser microphone provides exceptional audio fidelity thanks to off-axis rejection and cardioid polar pattern. This versatile small-diaphragm condenser microphone delivers clear and natural sound, thanks to its premium-grade components and construction. The result is optimal transparency and distortion-free sound. The exceptional clarity and transparent sound, combined with the premium-grade components makes the LCT 140 ideal for a range of recording applications. From drum overheads to capturing percussive sounds and more, the LCT 140 boasts exceptional attention to detail, providing a superior sound. The body of the microphone features two switchable modes. The first mode is a three-position switch for toggling the built-in pad settings. The pad settings are comprised of 0db, -10dB and -20dB, allowing you to cater to any recording environment or instrument. There is also a range of low-cut settings, including: linear, 40hz and 300Hz, ideal for removing low-end rumble as well as for drum overheads, where you just require the top end for cymbals and other hardware.